Glencairn Podglass - Episode 1 with Raymond Davidson (Part1)

Glencairn Podglass - Episode 1

The Glencairn Podglass brings you exclusive interviews with master blenders and industry experts, offering unparalleled insights into the whisky world.

Listeners can expect to hear first-hand stories about whisky production, blending techniques, and the craftsmanship behind every bottle.

Our first featured guest is Raymond Davidson, the founder of The Glencairn Glass. Join us for this two-part series as we explore the story and history behind Glencairn Crystal.

In this episode of the Glencairn Podglass, Raymond Davidson shares the story behind the creation of the iconic Glencairn Glass. As a lifelong whisky drinker, Raymond realised that the traditional glasses didn’t do justice to the whisky experience. Drawing inspiration from the sherry copita used by master blenders, he designed a glass with a wider bowl for swirling and a more robust base for practicality. The result? A glass that not only enhances the whisky’s aromas but also elevates the tasting experience, which has since become a favourite in the whisky industry.

 

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Weekly Whisky News- 27th of September

WEEKLY WHISKY NEWS

Friday 27th of September

Read on to get your weekly dose of news all about the UK’s latest whisky launches.

Every Friday we will bring you a quick round up of everything you need to know about what’s new in the world of whisky.

Discover The Glenlivet’s Oldest, Laphroaig’s Tribute Series, and Isle of Harris’ Newest Gem!

  • The Glenlivet Eternal Collection 55 Year Old was launched. It is the Highlands Distillery’s oldest expression to date and the first edition in The Glenlivet Eternal Collection. Read More

 

  • Islay Distillery Laphroaig revealed Strong Characters, a new limited-edition series that pays tribute to the distillery’s pioneering figures. Read More

 

  • Isle of Harris Distillery unveiled The The Hearach Oloroso Cask Matured – the second permanent expression in The Hearach single malt whisky range. Read More

 

Limited-Edition Treasures: Littlemill's Cask Reflections, Diageo's Special Releases, and Raasay's Dùn Cana Unveiled!

  • Littlemill has released the first expression in its new limited-edition Cask Reflections Collection series –  Littlemill Cask Reflections Release No.1 33 Year Old Japanese Mizunara Oak Finish. Read More

 

  • Diageo launched Spirited Xchange Second Edition – the 2024 Special Releases single malt Scotch whisky collection. Read More

 

  • The Isle of Raasay Distillery, based in the Inner Hebrides, unveiled the second edition of its Dùn Cana Sherry Quarter Cask expression – an annual single malt release named after the highest point on the Isle of Raasay. Read More

Celebrating Visionaries: Bimber’s Tribute Series, Mortlach’s Bold New Releases, and Bushmills’ Exclusive Whiskies!

  • Bimber introduced the second release of Shoulders of Giants, its series of single malt whiskies crafted to honour the world’s greatest thinkers, innovators, and visionaries. Read More

 

  • Mortlach Distillery announced a trio of single malts – Begin, Become and Beyond – under L’Evolution Collection, imagined by creative director Philippe Starck. Read More

 

  • Bushmills Distillery in Northern Ireland revealed eight new rare and exclusive single malt whiskey expressions in its fifth annual Causeway Collection. Read More


For more on the latest whisky releases, join us at The Whisky Hub Weekly Whisky News every Friday

 

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Weekly Whisky News- 20th of September

WEEKLY WHISKY NEWS

Friday 20th of September

Read on to get your weekly dose of news all about the UK’s latest whisky launches.

Every Friday we will bring you a quick round up of everything you need to know about what’s new in the world of whisky.

Glenmorangie Scoops Up Ice Cream Magic, Lindores Abbey Launches Limited Edition THIRON, and Fielden Unveils Yorkshire's Hedgerow Whisky!

  • Glenmorangie released A Tale of Ice Cream which is the fifth edition in the Highland distillery’s award-winning A Tale Of… series of imaginative single malts: Read More

 

  • Lindores Abbey Distillery in Scotland has launched THIRON 2024, the first in an annual series of limited edition bottlings: Read More

 

  • The Yorkshire based English whisky producer, Fielden, unveiled Hedgerow – the first release in a new four-part collection of whiskies called Fieldnotes: Read More

 

Glen Scotia Launches Dragon-Inspired Release No. 2, and Bladnoch Introduces Heritage Collection with New Age Statements

  • Glen Scotia revealed Release No.2 in its Icons of Campbeltown whisky series – the medium peated 14 Year Old single malt whisky takes inspiration from St Michael slaying a fire breathing dragon: Read More

 

  • The Lowland distillery, Bladnoch, renamed its single malt whiskies as the Heritage Collection and introduced a new 13 Year Old and a 16 Year Old expression. Read More

Lagavulin Celebrates Islay Jazz Festival with Exclusive 14 Years Old Release, While Fettercairn Unveils Third 18 Years Old Limited Edition!

  • Islay based Lagavulin Distillery has announced the release of an exclusive 14 Year Old bottling, finished in South African Cabernet Sauvignon wine casks, to celebrate Islay Jazz Festival:  Read More

 

  • Located in in the foothills of the Cairngorm Mountains, Fettercairn Distillery revealed its third 18-year-old annual limited release single malt finished in responsibly sourced Scottish oak casks. Read More


For more on the latest whisky releases, join us at The Whisky Hub Weekly Whisky News every Friday

 

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Weekly Whisky News- 6th of September

WEEKLY WHISKY NEWS

Friday 6th of September

Read on to get your weekly dose of news all about the UK’s latest whisky launches.

Every Friday we will bring you a quick round up of everything you need to know about what’s new in the world of whisky.

Exclusive Whisky Releases: Macallan's 84 Years Old, Ardbeg’s 17 Years Old Revival, and Ballantine’s Tribute to Music Legends

 

  • The Macallan launched its Time: Space Collection duo of whiskies, including its oldest single malt ever (84 Years Old), as part of ongoing 200th birthday celebrations. Read More

 

  • Ardbeg Distillery has revived its legendary Ardbeg 17 Years Old in a limited-edition shared exclusively with its Ardbeg Committee (membership is free). Read More

 

  • Ballantine’s has released two further limited additions to its True Music Icons collection paying tribute to Elton John and John Lennon. Read More

 

 

Nc'Nean's Cask Strength Debut, Whisky Exchange's #WeAreWhisky Show Bottlings, and Brave New Spirits' Whisky Heroes Batch Two

  • Highland distillery, Nc’Nean, announced a new cask strength expression as the latest addition to its core range of whiskies. Read More

 

  • The Whisky Exchange has unveiled a fun range of whiskies inspired by its  #WeAreWhisky campaign exclusively for this year’s Whisky Show taking place in London this weekend (6-8 September). Read More

 

  • The second batch of Whisky Heroes releases were revealed by Brave New Spirits, the independent bottler based in Glasgow. Read More

Jura's Perspective No.1, Tamdhu's Dedication Collection, and Dalmore's Distillery Select Series

  • Jura, the single malt scotch whisky distillery at the heart of a Scottish island community off the West Coast of Scotland, announced Perspective No.1 – the first in a new series of limited-edition expressions. Read More

 

  • The Speyside distillery Tamdhu launched its limited-edition Dedication Collection with the release of a new 43-year-old whisky.  Read More

 

  • The Dalmore Highland Distillery introduced The Distillery Select series, a collection of three limited-edition single malts, including a 15 Years Old, 17 Years Old, and 24 Years Old. Read More


For more on the latest whisky releases, join us at The Whisky Hub Weekly Whisky News every Friday

 

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Weekly Whisky News- 30th August

WEEKLY WHISKY NEWS

Friday 30th August

Read on to get your weekly dose of news all about the UK’s latest whisky launches.

Every Friday we will bring you a quick round up of everything you need to know about what’s new in the world of whisky.

Moët Hennessy & Beyoncé Launch SirDavis Whisky, While Bowmore Marks 250 Years with New Ranges

  • Moët Hennessy and Beyoncé Knowles-Carter have launched a groundbreaking new American whisky called SirDavis: Read More
  • Islay distillery Bowmore revealed two new ranges – Sherry Oak Cask Collection and Appellations range – along with a new bottle design to celebrate its 250th anniversary: Read More

 

The Single Cask Unveils Rare Teaninich Whisky for Charity, as Tomintoul Introduces Three New Cask-Finish Expressions

  • The Single Cask launched an ultra-rare 10 year old single cask whisky from Teaninich Distillery to support The Drinks Trust: Read More
  • Tomintoul Single Malt Scotch Whisky announced three new expressions in its contemporary cask finish collection: Read More 

The Glenturret Releases 'Still Life Summer' Whisky in Latest Series by Bob Dalgarno

  • Scotland’s oldest working distillery, The Glenturret, launched Still Life Summer, the latest instalment of their Whisky Maker Bob Dalgarno’s Still Life series: Read More

    For more on the latest whisky releases, join us at The Whisky Hub – Weekly Whisky News – every Friday


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Introducing The Glencairn Copita - The Blenders Choice

Introducing The Glencairn Copita

Watch our new video featuring The Glencairn Gin Goblet, An essential tool in blending labs and distilleries worldwide.

Why is the Copita a go-to choice with master distillers and blending labs?

The Copita Glass is the go-to choice for master distillers and blending labs because of its specialized design tailored for whisky analysis and appreciation. Its elongated tulip shape, longer stem, and flared rim make it ideal for capturing and concentrating aromas, allowing professionals to discern the subtlest nuances of whisky. This glass facilitates easy inspection of the liquid’s colour and clarity, essential for evaluating whisky quality and consistency. Its crystal construction ensures clarity and purity, providing a clear view of the whisky’s characteristics.

Can you use the Copita with other spirits?

Absolutely! The Copita Glass isn’t limited to whisky; it’s a versatile choice for enjoying a variety of spirits. Whether it’s rum, tequila, brandy, or even gin, the Copita Glass can enhance the tasting experience across different types of spirits. Its shape and design, particularly the elongated tulip bowl and flared rim, are well-suited for capturing and concentrating aromas, which is crucial for appreciating the complexity of any spirit.

So, whether you’re exploring the rich flavours of a single-malt Scotch whisky or savoring the delicate notes of a premium tequila, the Copita Glass enhances the tasting experience, making it a versatile option for spirits beyond whisky. We have noticed that a lot of tequila tastings have now adopted the glass as their go-to choice for sipping on tequila and mescal. So the possibilities are endless on which this glass is not restricted to one spirit.

What does the future hold for The Glencairn Copita?

The future for The Glencairn Copita Glass looks promising as its popularity continues to grow among whisky enthusiasts, professionals, and even across other spirits like tequila and mezcal. With its versatile design and ability to enhance the tasting experience by capturing and concentrating aromas, the Copita Glass is likely to become even more widely adopted in both the whisky industry and beyond.

As the global interest in whisky and spirits education rises, The Glencairn Copita Glass is poised to play a significant role in tasting events worldwide, educational courses, and distillery tours. Its association with reputable distilleries, whisky influencers, and industry organisations further solidifies its position as a premier glassware choice for serious enthusiasts and professionals.

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A Recipe for Stovies by Philip Wilson

Jump to recipe

 

With the winter nights truly upon us and the weather turning increasingly horrible, there’s no better time to indulge in this moreish Scottish classic. You don’t need much in the way of equipment, maybe a slow cooker if you have one. The main thing is patience. To fully appreciate this recipe, things need to gradually reach boiling point over time.

For those of us of a certain age, stovies will bring to mind wonderful memories of grannies’ kitchens saturated with the whiff of this stew. I remember my own granny would gather up all of the slightly sad looking veg leftover at the end of the week and whatever meat was available and chuck the lot into the Big Pot. The Big Pot was like a cauldron where magic took place; it had the power to transform some of the most miserable ingredients into life-giving nourishment.

That’s the big benefit of stovies: you don’t need to be a particularly skilled cook. You can hide a multitude of sins in the thick gravy!

 

Stovies were one of my late husband’s favourite things to eat. I don’t think a month went by during our marriage when he didn’t ask me to whip up a big vat of the stuff for him. His love for gravy-drenched slice (that’s square sausage to some of you) was legendary, and it was more than apparent by the excess of gut that drooped over his stupid too-tight denims. I don’t miss the touch of that clammy cushion of flab weighing down upon me whenever I was to perform my wifely duties. Or the many other times that the bastard pressed himself on me without invitation.

My husband was a man of passion—for the football, for the horses, for creative prejudices that couldn’t even be semi-excused as those shared by other bigoted men like him. He seemed to have his own take on the world, a singularly nasty and twisted perspective on things. But there are a lot of other bigoted men like him. You might be married to one yourself, in which case this recipe is for you.

The stovies I made for my husband used the cheapest cuts of meat I could find, usually from the reduced bin. Take your time over this part. Forage deep in the fridges to find the slimiest, smelliest, dodgiest looking cuts you can find.

 

If you’ve read this far and haven’t clicked the “Skip to recipe” button, I applaud you. I often joke with a couple of other food bloggers that nobody ever actually reads our stories; that we could write or confess to anything in these few hundred words above an ingredient list and nobody would ever know. I’m no better, right enough. I skip to the recipe, too. But then I’ve had a lifetime of deferring satisfaction and enduring seemingly endless unpleasantries. I’ve paid my dues, so to speak, and I mean to spend the rest of my life skipping to the good bit.

I’ll say it outright: I killed my bastard husband. I put a handful of Destroying Angel mushrooms in his stovies one night, ten years ago (Google them, I won’t link to anything here). I sat back and watched as he dribbled down himself in a claggy death rattle, keeled over out of his chair and vomited his insides out.

It’s a strange sight, a grown man writhing in distress and pain. It simultaneously makes a baby and a beast of them. I didn’t do much research beyond what I needed to know: vomiting, diarrhoea, dehydration, liver damage. He had stolen and squandered enough of my precious time and attention over our lives together. I didn’t feel his death was owed any more of it.

I’m not a naturally scheming or vindictive woman, but it’s amazing the things you can learn from these true crime podcasts and books. It’s been a bit of a golden era for offing abusive husbands, I think. If you’re thinking of doing it yourself, I say why wait? Do it now while the going is good. Before people start checking who’s really listening to these serial killer shows. Many men, especially those of my husband’s ilk, don’t realise that the most dangerous person in their life is unlikely to be some other egotistical has-been squaring up to them in the pub, but the person that cooks their meals, washes their drab, stretched clothing, and raises their kids. The people behind the scenes of a life are the ones best positioned to ruin it if they must.

And I have raised that arsehole’s kids. Bought their Christmas and birthday presents, made their packed lunches, sung their bedtime stories, while he fused his backside with the sofa that I picked out.

I was going to wait until the kids were older before I did it. I thought they should be mature enough to deal with the grief of losing a father, but the longer it all went on, the more I worried about my daughter and the example it might set if she saw me settling for what I was given. And I was given it at least one night per week. Twice when his team played, or his coupon didn’t come in.

In the end, they managed just fine without a father. They didn’t miss what they never had in the first place.

These days, when I make stovies, I buy the nice stuff, like slice from my local artisanal butcher, with little black pudding medallions in the centre. It’s something of a treat for me now. It has sentimental value, so I like to make sure it’s as good as it can be.

 

The night of my husband’s last serving of stovies wasn’t remarkable. I couldn’t tell you what day of the week it was without looking back over obituaries and records and all sorts. On paper, it was a significant, traumatic evening. But for me, it was just another Tuesday or Thursday, only this time it had a happy ending. Had he been out at the pub, or had he been drinking at home? I honestly can’t remember. Either way, there was the tell-tale whiff to his breath when it slithered down my neck and curled under my collar. And his hands had the bloated, clumsy touch of too much alcohol. Or not enough.

My husband thought I was something that would chip away over time with repeated wear and tear—something he could beat into a more acceptable shape. And I mean “beat” in the truest sense. But he was wrong. Every time he raised his hands to me, I was being tempered, honed. And on that particular night, I moved from theory to action.

Fortunately, the kids were out of the house and staying with friends. I was spared the responsibility of trying to muffle and bite back my loud protests against my husband’s actions as I usually had to. The pain and humiliation were one kind of torture, but the idea of my children hearing it through our thin walls was something I could barely fathom. Many nights when I would tuck them into bed, I’d be unable to make eye contact with them in case we traded a silent acknowledgement.

Yet, funnily enough, on that night when I could have been as loud and hateful as I wanted, I was silent. We’re always told that it’s impossible to achieve important things while distracted, with our minds on our dinner. But I was planning this very recipe as I endured his pissed-up punishments.

When he was finished with me, and he slouched from the room, I set to work on his stovies. He’d worked up an appetite with all his exertions.

 

One thing I do know for certain is that the last thing his watery, piggy eyes ever saw was me. I showed no remorse as I sat by his bedside for two days, watching him twist with a flexibility I’d never have guessed of the lazy arsehole. Of course, it wasn’t quite the way I dreamed it, but then nothing in life (or, I suppose, death) ever is. I fantasised for years about violent revenge, long monologues when I had him at my mercy, sinister torments and so on. But I’m nothing if not a conscientious mother. I had to do something less obvious that wouldn’t arouse suspicion, so that I could still be there for my children. Besides, anybody who knew my husband and his habits and his diets would have expected nothing less than eventual liver failure. The mushrooms just sped things up. To be honest, falling foul of a mouthful of fatty meat was probably his ideal way to go. He deserved worse.

Now that both my children have grown up and flown the coop, I have no fear in confessing to the killing. It felt dishonest to enjoy this second wind I’ve found as a food blogger while never discussing my finest dish. It’s time to come clean.

If you intend to follow my lead, make sure to add only as many of the mushrooms as is required for the desired effect. Don’t be tempted to “over season” the dish. You’re aiming for subtlety. You don’t want anything to be easily traced back to you. Just a small amount right at the start. Make sure to mix them in and give them time to cook through the sauce to mask any strange tastes.

 

If you’re still here, then I thank you for listening to what I have to say. It’s an experience I knew very rarely in my time as a married woman, and I take it to heart when my words are met with genuine attention.

I think the real test will be to see how long it is before someone comes knocking at my door. Then we’ll know who actually reads these blogs. I almost hope to get arrested. It’ll be proof that one regular woman’s story didn’t go unacknowledged.

 

And to Josh and Beth: if you read this, or any part of this ever comes to light, I want you to know that your father deserved it, and that you were never to blame. Please don’t take the news too harshly. I would hate for this to ruin stovies for you.

 

For best results, let the stew simmer for a good few hours. Allow it to bubble away by itself and resist the urge to stir the pot unnecessarily. Try and find some good rustic bread or oatcakes to dip in the gravy, when it’s ready. You don’t want a single drop of your hard work to go to waste.

Ingredients

50g butter or lard
1 onion, roughly chopped
½ turnip (around 400g), peeled and cut into 2cm cubes
2 large carrots, peeled and cut into 2cm cubes
2 celery sticks, roughly chopped
200g chestnut mushrooms
(optional) additional handful of Destroying Angel mushrooms
350g slice (square sausage or “lorne” sausage)
350g roast meat (lamb or beef), or corned beef
700g potatoes, peeled and cut into cubes
700ml beef or lamb stock
Oatcakes or crusty bread, to serve

Method

1. Heat the lard or butter in a pan. Add the onion and fry until softened. Add the veg* and fry for 5 minutes. Remove the veg from the pan and set aside.

2. Add your meat to the pan and fry off in the residual butter.

3. Add your meat, veg, and potatoes to a large pot or slow cooker and pour over the stock. Season generously and let cook on low for 3-4 hours.

*Consult the ingredients list for full veg break down

Comments (3)

Marjorie.Bellamy
Love this! 🙂

S_Donaldson7
Havent had stovies for years cannae wait to try this

Mary909
I will make this for my husband this weekend as a well-deserved treat.


The Strange Sheep of Greshornish by Elisabeth Ingram Wallace

The Strange Sheep of Greshornish

 

Poison is a funny thing. People assume it comes in a black bottle etched with a white skull and crossbones, but they are wrong. Poison comes in less solid, less black and white forms.

 

Some say drink is poison, and they are wrong about that, too. I make sure to pour a little whisky in my Thermos full of coffee every day, and honestly, I am indebted to the stuff. It has got me through many a damp day manning the tourist information booth at the Fairy Pools car park.

 

The tourists have so many questions. It helps to have a little inner glow to get me through a shift without drowning one of them in a rock pool.

 

Where are the Fairy Pools? (right in front of you, moron, walk a mile)

 

Will it stop raining today? (no)

 

Is there anywhere to buy food that isn’t chips? (no)

 

Are there real Fairies here? Can I see one?

 

These people are inevitably children, American, and/or have watched too much ‘Outlander’. When it comes to magic, I say, maybe it’s better not to look too closely. You can’t put a microscope to a fairy.

 

Still, not everyone wants to take life lessons from a drunk woman in a plastic kiosk.

 

Fair enough.

 

I get many predictable questions every day here, but my least favourite one is always asked after a disappointing trudge to the pools with five-thousand other disillusioned day-trippers.

 

Where is the best wild place to go on the island? For the real island experience?

 

The question is rarely accompanied by a smile, or any consideration for me. It is my land after all. My reality.

 

But, I don’t mind. Not really.

 

I suppose I even understand.

 

I can’t even hate them anymore. By the time the tourists come to my carpark, depressing reality has hit, hard. They have often driven for hours before they cross the bridge, or travelled on a toddler ridden vomit-stinking car ferry, and flown oceans, and driven north for hours, only to land here, in this tarmac wasteland. The island is not what they expected, back when they were booking their trip in Texas or Mumbai or Croydon. Where are the tartan clad chieftains, the handsome maidens in a fairy glen, the native forest, the mist, and monsters?  It’s all 1970’s bungalows and white-sliced-bread, sheep farming and Nescafe. I see their nausea and disappointment. Aren’t the Fairy Pools supposed to be shimmering crystal depths of aquamarine ice? Why do I have to pay for a car park? The public toilet is blocked.

 

The farming shocks people, too. The extent of it. The industry of it, on an island they were hoping to be full of hobgoblins and bagpipes.

 

Some days I even feel it myself, the pall of tractors and corrugated barns, the stink of diesel, the oily slick of traffic jams and tourism.

 

Still, it’s all quite functional, at its core. Although I appreciate not everyone loves function. They want enchantment.

 

Once Skye had many Gods, and all the monsters you could dream of – as well as Selkies and fairies that fluttered about in the full-moon, flitting between myth, devilry, and human form. But Skye only has two monsters now – farming, and tourism – and so, visitors are disappointed.

 

And to be fair, the tourists often disappoint me, too.

 

The bad ones, anyway. The ones I see throwing their Costa Coffee cups in the Fairy Pools as they take a naked dip with only a selfie stick and 50,000 of their closest Followers for company. These are the same ones that picnic on the ground and abandon their trash, their fag ends, vape pens and used condoms. They ‘wild camp’ in the grass, with disposable aluminium barbeques, burn holes in the moss and heather, scorch the peat, start wild-fires.

 

Shut the gates and bury your excrement, I want to say. And please, don’t shit directly on a fairy mound.

 

The good tourists take only memories, and leave only footprints.

 

And when the good tourists turn up, with a smile and a bin-bag to collect litter along the way,

I send them merrily on their way, with a map to my favourite walks, to the sea stacks, or the black sands where the golden eagles nest.

 

When it comes to the bad tourists, the ones who chuck Coke cans out their car window or drop steel-canisters of nitrous oxide in the carpark, I can be less kind.  I like to send them on an alternative type of adventure. My hope is they will find themselves.

 

These days, when the bad sort come whinging to me for advice – Where’s the real Skye? – I answer them as honestly as I can.

 

You have to drive north, I say. Far north. To the tiny peninsula of Greshornish.

 

In Greshornish, the true spirit and soul of Skye will enter you. The place has something unique that never leaves you. But remember, I say, the wee folk are not all of the happy-go-lucky Seelie Court. Some of them are mischievous – so behave – I say, I smile. I warn. I offer them the option. No one can say I don’t do my tourist guidance job well. Then I drink from my Thermos until I feel myself shimmer, and we all go on our way.

 

I live in hope. I’m positive, cheery even, and on the good days I don’t need to hand out a single map of Greshornish.

 

On the bad days, I leave it to the island. The island has its ways. You just have to pay attention to how a place feels, and react accordingly.

 

For example, it still feels isolated in Greshornish, because it is. There is less modern life there, less hurly-burly, and zero farming. Sheep have never been grazed on the peninsula, because it was said the fairies will enchant them and make them run around in circles until they die.

 

The tourists often laugh at this, raise an eyebrow, but you can’t ask a local who lives among the fairy folk to tell you a fairy tale, without expecting a little darkness and a few possessed zombie farm animals. Especially when it is 3pm and I am coming to the end of my Thermos.

 

No, believe me, it’s true, I tell the tourists, as they start checking their phone signals and Googling up Wikipedia, asking Siri to prove me wrong.

 

The fact is, it is all true. In the mid 1800’s the new owner of the Greshornish estate didn’t believe in the fairies either, and decided to scientifically investigate the mystery of the mad, dead sheep.

 

He sent his people to gather up local flowers and weeds and whole sacks of fauna, to have the plants tested by experts in Edinburgh, for poison.

 

Naturally, they found nothing. The plants and grasses all came back proven innocent, and entirely devoid of magic.

 

As if poison is that easy to find. As if it is stupid enough to glow pink in a test tube, or throb under a microscope.

 

Vindicated, the landowner put out fifty sheep to graze.

 

Within a month they ran around in circles. In another month, they were all dead.

 

Magic said the locals.

 

Fairies.

 

Anyway. Greshornish is a magical spot, I tell the tourists. You have to see it to believe it; the wet grass is thick with dew and lush with moon and the gorse is butter yellow and smells like fried pineapples. Everything is a little flusher and a little plusher there, and as for fairies – well. You will have to decide for yourself.

 

You should go. Look, but don’t touch.

 

The tourists drive off there at a thousand miles per hour, hoping to find a unicorn.

 

They don’t need to hear the rest of the Landowners life story. Many years after his sheep all died, and died again – he employed a new botanist to take a second look at all the plants he suspected to be poisonous – and the new botanist found them to be covered with tiny snails. Perhaps the snails were the mystery toxic element?

 

Again, this turned out not to be so.

 

A decade passed.

 

The Landowner attempted – again and again – to graze new flocks of sheep at Greshornish, with the same maddening, deadly result. Eventually, tired, furious, bitter, and broke, the elderly Landowner took a dead sheep and some snail covered plants to an even more eminent scientist, to crack the mystery of the mad sheep, before he died.

 

The eminent scientist discovered microscopic creatures living within the tiny snail shells. Parasites. These same monstrous tiny critters were soon found living inside the autopsied brains of the sheep.

 

It turned out, merely lollygagging among the fields of Greshornish was enough to turn the brains of the sheep. Take care – warned the scientist, the brains of humans may be susceptible too.

 

But only if those humans were stupid. Stupid enough to linger, and to scrabble around like animals in the long grass, lighting up a barbeque on the ground, say, or ‘wild’ camping on endangered flower meadows, or shitting on a grassy hillock, drunk swimming and drinking from the deep snail filled waters.

 

But, as I say, I don’t like to ramble on. Giving them the full story would only ruin the tourists’ days. They want to experience the real Skye after all, with all our real fairies and real monsters. I try to give them what I can. I like to smile, and let them have their magic. As far as I am concerned, they can go to Greshornish and tread lightly, or they can go to Greshornish and swim and trash and hump and sleep wild, and then go home to Texas, and Mumbai, and Croydon, to walk around in circles forever, until they die.


The Glencairn Glass Crime Short Story 2023/24 Winners

Winner

A Recipe For Stovies by Philip Wilson

by Philip Wilson

The gruesome confession of a food blogger who sought revenge on her violent husband after suffering years of domestic abuse.

Philip Wilson is a writer living in Glasgow. He divides his free time between trying to wrangle his rebellious dog and writing off-kilter short fiction. Time and imagination willing, he’s planning to set to work on a full-length novel soon.

Philip said: “I’m ecstatic and really honoured to be selected as this year’s winner of the Glencairn Glass Short Story Competition. I stumbled across the competition by sheer luck but knew immediately that I wanted to submit something. No matter what I write, an element of Scotland seems to worm its way into the material somehow, so a crime story set in Scotland was the ideal opportunity to be playful with it. I just hope my story doesn’t put anyone off of stovies. It’s usually quite a benign dish, cholesterol notwithstanding”.

Runner-up

The Strange Sheep of Greshornish

by Elisabeth Ingram Wallace

A sinister tale of a disillusioned tourist guide on the Isle of Skye who sends badly behaved tourists to suffer the same fate as the mad sheep in Greshornish.

Elisabeth Ingram Wallace lives in a Skoda in Scotland, usually somewhere in the Highlands. Her short stories have won prizes including The Mogford Short Story Prize, ‘Writing the Future’ and a Scottish Book Trust ‘New Writers Award.’ Recent work has been featured in SmokeLong Quarterly, Atticus Review, Barrelhouse, Wigleaf, and anthologies including ‘FUEL – an anthology of Prize Winning Flash Fictions’.

Elisabeth said: “Thank you so much to the judges and to all at the Glencairn Glass, I am delighted to be the runner-up in such a fantastic competition. It is a great challenge to write such a short Short Story; under 2000 words is my absolute favourite length, a test to write but long enough to go a little wild and include the odd zombie sheep. I wrote this story in a Bothy near Neist Point over Christmas, while it rained and rained and rained, and it was a real escape to go and commit a few imaginary murders in the sunshine”.

Competition judge, Callum McSorley, commented: “It was a real honour to read the brilliant work submitted, and certainly made for some lively discussion during the judging process. The winner’s clever story format made excellent use of the limited space to tell a story equal parts funny and sinister which pulled all the judges in immediately. The runner-up’s scuzzy subversion of an imagined, idyllic Scottish Highlands was similarly smart, comic, and dark.”

Kate Foster said: “It was a huge pleasure to read such a brilliant variety of crime stories, and to see the talent in Scottish writing. The judging process was great fun with lots of debate, but we were unanimous in our favourites. The winning entry stood out to me as it was funny, clever, and served up with a flourish. The runner-up was brilliantly written with a really quirky twist.”

Glencairn’s marketing director Gordon Brown said: “The quality of the short stories we receive every year is amazing and as both a crime writer and the Marketing Director of Glencairn Crystal I’m delighted that a competition based around Scotland and Crime Fiction can deliver such great works”.

The first prize of £1,000 goes to Philip Wilson and runner up Elisabeth Ingram Wallace receives £500. Both writers also receive a set of six bespoke engraved Glencairn Glasses. The winning story will be published in the May issue of Scottish Field Magazine (on shelf from 5th April) and the runner up story will then be published on Scottish Field Magazine’s website; www.scottishfield.co.uk. Both stories will also be available to read on the Glencairn Glass website: www.whiskyglass.com.

Last year’s short story competition was won by Frances Crawford from Glasgow, whose captivating tale The Dummy Railway told the story of a disturbing discovery through the eyes of a young Scottish girl.  All previous winners’ stories can be viewed at www.whiskyglass.com

For further information about this year’s McIlvanney and Bloody Scotland Debut crime-writing prizes, as well as the Bloody Scotland Crime Writing Festival taking place in Stirling, Scotland, from the 13th to 15th September, please visit www.bloodyscotland.com.


The Glencairn Glass crime short story competition is back

The world’s favourite whisky glass – the Glencairn Glass – is once again delving into the dark side of crime fiction with the launch of its popular annual crime short story competition.

This year it launches on 27th October, once again in partnership with the Bloody Scotland International Crime Writing Festival and Scottish Field Magazine, offering the winning writer a prize of £1,000 and their story published in Scottish Field and online.

Over the last two years the competition has attracted hundreds of entries from both experienced and novice crime writers internationally. Writers from around the world are invited to compose their stories, in less than 2000 words, on the theme: “A crime set in Scotland” – the competition closes on 31st December 2023.

In addition to the £1,000 prize, the winner will also see their story published in Scottish Field Magazine in the spring. The runner up will receive a cash prize of £500. Both stories will be published online on the Scottish Field website, as well as on the Glencairn Glass website (whiskyglass.com).

The Glencairn Glass is no stranger to the ‘dram-atic’ world of Scottish crime fiction. The Scottish family business Glencairn Crystal has celebrated and supported the Bloody Scotland Crime Writing Festival since 2020 with its Glencairn Glass sponsorship of the McIlvanney Prize for the Scottish Crime Book of the Year and the Bloody Scotland Debut Crime Novel of the Year awards. Earlier this year a new three-year deal was agreed to secure the company’s commitment and sponsorship until the end of 2025.

 

The judges

This year’s Glencairn Glass short story competition judging panel includes Callum McSorley, a Glasgow based writer whose debut novel Squeaky Clean won this year’s Bloody Scotland McIlvanney Prize for the Scottish Crime Book of the Year. He is joined by Kate Foster the Edinburgh based national newspaper journalist and author, whose debut novel The Maiden won this year’s Bloody Scotland’s Debut Prize and has become a Times and Waterstones bestseller.

Glencairn Crystal’s marketing director Gordon Brown, who is also one of the founding directors of the Bloody Scotland International Crime Writing Festival, is the third judge. Gordon, who is also a crime writer, has had eleven crime and thriller books published to date.

Gordon commented: ‘We are delighted to set out on the search for a great Scottish set crime short story once more. The Glencairn Glass’s sponsorship of the crime writing prizes at Bloody Scotland and its success globally, makes it the perfect glass to toast all those writers that are about to sit down to pen a classic crime short story.’

 

Previous winners

Last year’s short story competition was won by Frances Crawford from Glasgow, whose captivating tale The Dummy Railway told the story of a disturbing discovery through the eyes of a young Scottish girl. Frances graduated last year, at the age of 60, with an MLitt (First) in Creative Writing from Glasgow University and says that winning the competition has opened many doors for her.

Frances commented: “What attracted me to the Glencairn Glass Crime Short Story Competition was the fact that it is so inclusive and open to everyone, whether absolute beginner or published author. Since winning, I developed The Dummy Railway as a full-length novel, with very promising agent interest. It was an honour to win such a prestigious prize. I would encourage crime writers at all stages of their writing path to enter”.

The winner of the first Glencairn Glass Crime Short Story Competition in 2021 was Brid Cummings, a fiction writer and occupational therapist in South Australia. Her story Halmeoni’s Wisdom was a dark tale of human trafficking, illegal trade and a desire for freedom. Winning the competition gave Brid the confidence and encouragement to complete her psychological suspense novel and she has recently been signed up by a UK literary agency.

 

How to enter

All short story entries must be submitted at www.whiskyglass.com/crime-short-story-competition. The competition closes at midnight on Sunday 31st December 2023. The winner and runner up will be announced in March 2023.

Bloody Scotland’s Festival Director, Bob McDevitt, said: “Bloody Scotland has always been dedicated to supporting and discovering new writing and this short story competition provides a great opportunity for writers to flex their creative muscles and explore the broad church of crime writing.”


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